social/cultural influence and key principles. Fritz Lang’s film Metropolis (1927) and George Orwell’s novel Nineteen Eighty-Four (1949) both provide dystopic projections about a future where the corruption of power and the exploitation of technology create significant threats to humanity. The context of the two texts has obvious influence on the key concepts and values presented. The Weimar Republic (Germany) context of Lang’s Metropolis creates his fear of society’s growing corruption and mechanisation
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Shortly after‚ In November 2000‚ D.Wayne Osgood of Pennsylvania State University and Jeff M Chambers of University of Nebraska-Lincoln‚ held a study named Social Disorganization Outside The Metropolis: An Analysis Of Rural Youth Violence which discusses the Social Disorganization theory of crime that has been developed in urban communities. In the study‚ there were no research questions posed. However‚ there were numerous hypotheses that were posed‚ (1). Rates of juvenile violence will be positively
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The film Metropolis is a unique film. If one thinks about the time in which the film was made and then thinks of how little technology was available to the film industry‚ they would see how awesome the film truly is. A specific scene that had two camera angles involved in it was when Maria was saving all the children from the flooding. It was filmed with a crane‚ but it also moved around her on a dolly to show all the children gathering around her. This scene involved two common camera shots that
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who aren’t familiar with the name‚ you probably are familiar with his work. Ferriss was the master draftsman of his time of the American metropolis‚ both real and ideal. In the course of his career‚ he rendered hundreds of buildings and projects around the country‚ but it was his visions for the ideal city‚ particularly as illustrated in his book The Metropolis of Tomorrow‚ that would earn him his fame and legacy‚ which still resonates today. Born in 1889‚ Ferriss earned his degree in architecture
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Constantinople and Tenochtitlan were two great cities in their time. They both had many dominant physical features. They also had many cultural influences and their major function for each city was different. The two cities had important landmarks and their locations still exist. The cities both had religious affiliations and other important aspects. Constantinople and Tenochtitlan help to show you what cities were like between 1160-1520. Any two cities could have been chosen to show what it was
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Scene Analysis: Maria’s Essence Transfer The scene in which Rotwang recreates the Machine-Man in the likeness of Maria is one of the most visually complex scenes in the silent film; Metropolis. The events leave the viewers with several important questions. What is being taken from Maria and putt into the robot? What does the scene say about the difference between machines and people? Why is the pentagram painted on the wall of the labratory? What is being taken from the Maria and putt into the
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MCI SOCIAL SECTOR WORKING PAPER SERIES N° 22/2011 GENDER NEEDS ASSESSMENT FOR KADUNA METROPOLIS‚ NIGERIA Prepared by: Chinwe F. Olisemeka and Ahmed Salim August 2011 432 Park Avenue South‚ 13th Floor‚ New York‚ NY‚ 10016‚ United States Phone: +1-646-884-7422/7418; Fax: +1-212-548-5720 Website: http://mci.ei.columbia.edu NB: This needs assessment was researched and written by MCI intern Chinwe F. Olisemeka and MCI Social Sector Research Coordinator Ahmed Salim. The report was edited
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Metropolis and Modern time : Modern society‚ Urbanism and industrialization By Kanin Sunthornsuk (Buddy) Metropolis is a German science-fiction about idea of future utopia urbanism society which more kind of horror or nightmare rather than utopia and Modern time is comedy with iconic character ‚ portrait by Charlie Chaplin‚ the tramp about a story of modernism and industrialization. These two movies have lots in common about how they imagine or have the idea in modern society world would be.
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Dynamic Hong Kong: from a post-colonial city to a post-metropolis Part 1. Introduction Hong Kong‚ once a British colony after the wars‚ has been well-known as a vibrant metropolitan. After 99 years of British rule‚ Hong Kong was handed over to China in 1 July 1997. After a long period of western culture instillation‚ Hongkongers remain confused about their identity in the recent 16 years of post-colonial period. This struggle in identity can be reflected from the city’s cultural‚ economic and
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leading to unresponsiveness towards objects around them. In addition‚ the ‘fleeting interactions’ in metropolis state also causes a reduction in face to face communication‚ and increasing suspicion towards one another (Simmel‚1903:13-14). Owing to the domination of intellect‚ the link between money‚ relation‚ fashion and communication is established. Money levels out all objects in the metropolis with distinctions varying only according to individuals’ purchasing power and their ability to achieve
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