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Lord of the Flies

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Lord of the Flies
Civilization vs. Savagery What do symbols illustrate in novels? In William Golding’s Lord of the Flies, symbols are illustrated through people, objects, and colors. In this novel, a group of children are faced with the difficulty of living isolated from society after their plane crashes on a deserted island. With no formal civilization, parents, or rules, the kids have the freedom to do as they choose. Throughout the novel, the boys find and use objects on the island that symbolize something of different importance. In Lord of the Flies, William Golding uses different objects to symbolize the difference between civilization and savagery. One of the first symbols presented in the Lord of the Flies is the conch shell. After the boys’ plane has crashed on the island, Ralph and Piggy, two of the main characters, find the conch lying in the sand on the beach. Ralph immediately recognizes the conch as being a possible way “to call the children to assemblies.” (Cox 170). The conch soon becomes one of the most powerful symbols of civilization in the novel. “He can hold it, when he’s speaking.” (Golding 33). This quote refers to the idea that, whoever has possession of the shell, may speak. It soon becomes a symbol of democratic power, proactively governing the boys. With Ralph being the leader, and Piggy by his side, the conch shell serves as an equivalent to the executive branch of government. He who holds the shell is superior, at that time. When savagery begins to take control of the boys as the novel progresses, the conch shell begins to lose power. After innocent Ralph is involved with the murdering of Simon, he holds onto the conch tightly, remembering the sense of graciousness that he once had. The conch shell ends up getting smashed during the scene of Piggy’s death, when Roger kills him with ‘the rock,’ another symbol in the book. Another symbol presented in Lord of the Flies is the beast. The beast, representing horror, is the most intricate of all the


Cited: Cox, C.B. “A review of ‘Lord of the Flies.’ ” Critical Quarterly 2.2 (Summer 1960): 112-17. Contemporary Literary Criticism. Ed. Roger Matuz. Vol. 58. Detroit: Gale, 1990. 170-72. Dunn, Daisy, “Book Blog| The Spectator.” Spectator Magazine| World Politics & Current Events, News, and Discussion. The Spectator. 17 Nov. 2011. Web. 25 Nov. 2011. Golding, William. Lord of the Flies. New York: Penguin, 2006. Print. Golding, William. “Lord of the Flies Themes| Gradesaver.” Study Guides & Essay Editing| Gradesaver. Gradesaver LLC, 1999. Web. 29. Nov. 2011. Kermode, Frank. “The Meaning of It All.” Lord of the Flies: Casebook Edition. Ed. James R. Baker & Arthur P. Ziegler, Jr. New York: Penguin Group, 1988. Spitz, David. “Power And Authority: An Interpretation of Golding’s ‘Lord of the Flies.’ ” The Antioch Review 30.1 (Spring 1970): 21-33. Contemporary Literary Criticism. Ed. Sharon R. Gunton. Vol. 17. Detroit: Gale, 1981. 172-73. Taylor H. Harry. Rev. of The Case Against William Golding’s Simon-Piggy. (2004): 65-67. Bloom, Harold. “Bloom’s Guides: Comprehensive Research & Study Guides.” Print.

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