The Holy Grail is a favorite metaphor for a desirable but difficult-to-attain goal, from the map of the human genome to Lord Stanley's Cup. While the original Grail the cup Jesus allegedly used at the Last …show more content…
He claims that goddess worship universally dominated pre-Christian paganism with the hieros gamos (sacred marriage) as its central rite. His enthusiasm for fertility rites is enthusiasm for sexuality, not procreation. What else would one expect of a Cathar sympathizer?
Astonishingly, Brown claims that Jews in Solomon's Temple adored Yahweh and his feminine counterpart, the Shekinah, via the services of sacred prostitutes possibly a twisted version of the Temple's corruption after Solomon (1 Kings 14:24 and 2 Kings 23:4-15). Moreover, he says that the tetragrammaton YHWH derives from "Jehovah, an androgynous physical union between the masculine Jah and the pre-Hebraic name for Eve, Havah."
But as any first-year Scripture student could tell you, Jehovah is actually a 16th-century rendering of Yahweh using the vowels of Adonai ("Lord"). In fact, goddesses did not dominate the pre-Christian world not in the religions of Rome, her barbarian subjects, Egypt, or even Semitic lands where the hieros gamos was an ancient practice. Nor did the Hellenized cult of Isis appear to have included sex in its secret …show more content…
He claims to have first run across these views "while I was studying art history in Seville," but they correspond point for point to material in The Templar Revelation. A writer who sees a pointed finger as a throat-cutting gesture, who says the Madonna of the Rocks was painted for nuns instead of a lay confraternity of men, who claims that da Vinci received "hundreds of lucrative Vatican commissions" (actually, it was just one and it was never executed) is simply unreliable.
Brown's analysis of da Vinci's work is just as ridiculous. He presents the Mona Lisa as an androgynous self-portrait when it's widely known to portray a real woman, Madonna Lisa, wife of Francesco di Bartolomeo del Giocondo. The name is certainly not as Brown claims a mocking anagram of two Egyptian fertility deities Amon and L'Isa (Italian for Isis). How did he miss the theory, propounded by the authors of The Templar Revelation, that the Shroud of Turin is a photographed self-portrait of da