Distinctively Visual
Composers create distinctively visual images to draw aspects that they are presenting in their texts. This helps the reader to understand and visualise the characters responses to significant aspects of life. The Author Henry Lawson uses these distinctive images in his short stories ‘The Drovers Wife’ and ‘The Loaded Dog’ to help portray the harsh realities of living in the Australian bush. These realities create significant experiences for the individuals in his stories as they are faced with hardships, mateship and love. Similarly, John Misto’s play ’The Shoe-Horn Sonta’ and Ramon Tongs ‘African Beggar' use distinctively visual language to let the responder engage with the characters and their world.
‘The Loaded Dog’ explores the significant experience of mateship through the characters; Dave Regan, Jim Bently, Andy Page and their young retriever Tommy who is described with great visual imagery as an ‘overgrown pup, a big, foolish, four-footed mate, who was always slobbering round them and lashing their legs with his heavy tail that swung round like a stock-whip’.
The story starts off slow introducing the gold mines that the story takes place in, using elaborate instructions to explain the process of mining and cartridge construction through verbs including ‘sewed’, ‘bound’ and ‘pasted’ which gives the reader a distinctively visual image of how life was for the gold miners.
The author uses Australian jargon and vernacular language such as ’Don’t foller us!’ and ’no mucking around' throughout the story to give the reader a more visual image of how the men of the area communicate.
The story’s pace exponentially increases along with it’s humour as the storyline develops and as each complication arises. Dialogue and punctuation, such as ‘dashes’, carry us along with the action painting a picture in the readers mind of the events taking place. Dave who is seen as the ‘ideas man’ decides to create a cartridge to blow the local fish out of the water to eat and
‘The Loaded Dog’ explores the significant experience of mateship through the characters; Dave Regan, Jim Bently, Andy Page and their young retriever Tommy who is described with great visual imagery as an ‘overgrown pup, a big, foolish, four-footed mate, who was always slobbering round them and lashing their legs with his heavy tail that swung round like a stock-whip’.
The story starts off slow introducing the gold mines that the story takes place in, using elaborate instructions to explain the process of mining and cartridge construction through verbs including ‘sewed’, ‘bound’ and ‘pasted’ which gives the reader a distinctively visual image of how life was for the gold miners.
The author uses Australian jargon and vernacular language such as ’Don’t foller us!’ and ’no mucking around' throughout the story to give the reader a more visual image of how the men of the area communicate.
The story’s pace exponentially increases along with it’s humour as the storyline develops and as each complication arises. Dialogue and punctuation, such as ‘dashes’, carry us along with the action painting a picture in the readers mind of the events taking place. Dave who is seen as the ‘ideas man’ decides to create a cartridge to blow the local fish out of the water to eat and